One year after the release of her debut album DAZED, the young Italian-Swiss harpist and composer Kety Fusco gives us a very personal version of the famous song "Gnossienne N.1" by Erik Satie. In this modern reinterpretation, which Kety has entitled "Ma Gnossienne", the harp is used in an unconventional way to generate sounds that have nothing to do with its classical timbre. The entire sound system is set up with the sound of a vinyl scratched on metal strings, some objects struck on the soundboard of the pre-sampled classical harp, and analogue effects manipulated live.
Ma Gnossienne
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Added on 22 June 2021
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One year after the release of her debut album DAZED, the young Italian-Swiss harpist and composer Kety Fusco gives us a very personal version of the famous song "Gnossienne N.1" by Erik Satie. In this modern reinterpretation, which Kety has entitled "Ma Gnossienne", the harp is used in an unconventional way to generate sounds that have nothing to do with its classical timbre. The entire sound system is set up with the sound of a vinyl scratched on metal strings, some objects struck on the soundboard of the pre-sampled classical harp, and analogue effects manipulated live.
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